Produced by Clint Is Good for INNN (creative direction by Clint), this film is built on a deliberately simple toolkit: typographic animation, selected imagery, and clean graphic transitions. The real craft lives in the rhythm.

The piece is tightly synced to a drum solo, turning voiceover, animation, and music into a single edit. Sound editorial was key: library tracks and samples were combined to bring a flamenco-inspired, Spanish feel, with additional programmed drums used to reinforce and refine the groove where stock material fell short.

My role covered edit + motion and audio editorial, shaping the timing so every beat, word, and frame lands with intent.